Friday, July 1, 2011

Mixtape Review: Black Native "THE GOATEE"

Words by: Mar'tel Merriweather

by: Ellis Photography



People love labels. We love stereotypes, groups, and affiliations. Its human nature for us to try and put everything in our lives in its own little box so that we can make sense of it. This is especially true when it comes to the music we listen to. Despite what lies people tell you, most folks only really love one singular type of music. Of course, if you ask anyone what type of music they listen to, they'll inevitably hit you with the "I-listen-to-all-types-of-music-as-long-as-it-sounds-good" foolishness. This, of course, is.......foolishness. Theres a huge difference between enjoying various genres of music as opposed to enjoying singular songs from various genres. This ESPECIALLY true when it comes to hip-hop

Rap music is bascially divided into to major Genres, with sub-genres within those. Essentially, hip-hop is either Gangsta rap or Consious rap. Some would argue the validity of that statement, but if you consider the relative newness of swag rap (Soldier Boy) and Emo rap (Drake/Kanye) with the steady decline of lyrical rap (Canibus/Elzhi), the theory rings true. As previously stated, most people only listen to one particular type of music, the same type of hip-hop. But what happens when you have an emcee who encompasses all of these genres and non of them at the same time? Enter Laz aka The Black Native and his 2nd mixtape, The Goatee....

Native, the emcee reppin Alabama by way of Virginia by way of Maryland by way of Germany, is an algamation of all things......everything.....and it all shows up in the music. In the course of this 12-track project, Black Native references, Osama Bin Laden, Goku, Osiris, Jesus, The Mom from Bobbys World, Archie Eversole, and the Omega Psi Phi fraternity, just to name a few. Here's a track-by-track analysis of the mixtape..


1. Behold- After a hilarious intro from George Lopez, Native opens the mixtape on a religious note, reciting the 133rd Psalm.

2. The Goatee- The proper intro for the mixtape, and really an embodiment of the entire project (Editors Note: this is my favorite track on the mixtape). Over Drakes "Thank Me Now", Native waxes philosophical on everthing from non-responsive band members to financial obligations. as he raps "my baby sister bought a house.......I'm payin' rent", you can't help but appreciate his candor on the mic. As "bluesy" as this song begins, it reaches a victorious climax as it ends, he takes us on vacation with him. By far the standout track on the mixtape.....

3. Plan of Attack- The most experimental song on the mixtape, Canadian producer Tron lends his talents on the original track. The off-kilter production sounds like some the Neptunes would produce for themselves, with the track switching tempo mid-song, totally ingnoring traditional hip-hop song structure. Native handles the track quite nicely, ajusting his flow and dropping some hilarious Canada references (if youre paying attention).

4. Get it- If you listen to this mixtape long enough, you'll start to catch on to some underlying themes. One of those themes is recognition. Black Natives has no reservations about his desire to be a force in the industry. This song (and the one following it) go along way express his intentions for rap suprmecy.

5. Apex- The book-end song to "Get It", we see Native step out of his usual laid-back personality. The aggressive track (and even more aggressive chorus) comes off as motivation music for anyone trying to get to that next level in life.

6. Go Go The Sto'- The most hilarious track on the mixtape (peep the Dragon Ball Z intro), the song is an interpolation of Fiascos "Go-Go Gadget Flow", dedicated to everybodys favorite super-store. Here, Native displays the midwest "sniper" flow that he first displayed on his 1st mixtape.

7. Something To Cruise To- The only southern sounding song on the mixtape, Black Native lets us ride passenger side as he takes a day to himself to ride and let the speakers bump. This is also the first track where Native puts the intricate lyricism on the back burner and lets the slow flow take precedent.

8. In The Streets- Based on a true story, the subject matter is about troubled youth in the south, faced with the issues of growing up too fast and too hard. Native raps from the perspective on himself and a troubled youth as a haunting "In The Streets" sample ruminates in the background of the track.

9. Don't Do it- A song about depression, in which he consoles and counsels a female friend on the verge of hurting herself. On the 2nd verse, he puts himself under the microscope before advising anyone with similar feelings to "play some videogames, do something constructive". Another surprisingly transparent and soul-bearing song.

10. Big Sister, Lil Sister- Natives flips Ye's "Big Brother" to dedicate a song to his two biological and one adoptive sister. His ode to older sister who always let him hang out with her friends is especially touching.

11. Defending My Religion- Controversy, contreversy, contreversy!!! "If I'm the white mans bitch, then you mis-informations hoe" shoots Black Native at internet detractor. The most controversial (and heady) song on the mixtape. It deals with the problem of religion and hip-hop

12. The Go-owtro- The straight lyrical display thats becoming a lost art in hip-hop, Black Native ends the mixtape with a spastic barrage of lyrics, announcing that this mixtape is the begining of the endin of him being the slept on

All in all, this mixtape is excellent. If you like lyrics, you wont be disappointed. If you like an emcee who can switch flows, you wont be disappointed. If you like dense content, Black Natives gotcha. Its all here, and it all flows well. Besides the very conspicous absence of a "girl song", the only complaint I have about this mixtape is that it should have been mixed properly by a professional engineer for maximum enjoyment. But if you love good hip-hop, The Goat is definitely worth a download.


Rating: 4.75/5

direct link:
http://blacknative.bandcamp.com/album/the-goatee?permalink

Thursday, May 26, 2011

Putting The Mic Down: The Maturation Theory (Part 2)




So last time out I was tellin ya'll how I've seen my affinity for hip-hop (as a listener) diminish. Not checkin for much new music, not buyin albums (Food and Liquor may have been my last purchase), and a general lack of excitement as a fan.




Lupe Fiasco "Theme Music To A Drive By"








Now lets talk about how that relates to emceein'.




Emcees (I wont speak for any other genre) put music out for many different reasons. In my opinion, all of these reason can be condensed into three major categories. The "3 F's", if you will. Fame, Fortune, and Fun.



You can plug in replacement words for the ones that I used (Fame=recongition, Fortune=a living, Fun=love, etc, etc), but it all boils down to the 3 F's, which I need to copyright cause it sounds dope.





For me, the fame was most important to achieve. I needed to know that people actually could like the things that I thought about in my little home studio. I needed that more than anything, the validation. The fun was 2nd most importatn thing to me. I wasnt the most important because my need to be liked meant that I would end of "working" to write and recite great lyrics, which isnt always fun. Fortune was distant 3rd on my list. This is because, by this time, the digital age was already eating away at the profitability of rap music (ironic that I give yall music digitally in this very blog, ah well).




This is where the meat of my maturity argument lies. *Carl Weathers* HEREWEGO!



As I said, I wanted the fame more than anything. I wanted people to listen and be impressed by what I had to say. Tragic thing is, I had no way to show the world my talents. Passin' out mixtapes hand-to-hand just wasnt gonna do it.........and then came










..........Myspace

































Beautiful, beautiful myspace. The social network marvel, Designed by the homie Tom, that advented (and perhaps ended) my career as an emcee. Part 3, the conclusion to The Maturation Theory next time, folks.....

Wednesday, May 25, 2011

Putting The Mic Down: The Maturation Theory (Part 1)

*thats a vury long title, hahaha*



It happens to us all, or at least it should, i think. Eventually, you out-grow things. Or do we? Of course, we do. Maybe we dont. hmmmmm, lets investigate. God inspired these words from some guy in the Bible whose name I should know, but I dont:"When I was a child, I spake as a child, I understood as child, I thought as a child: But when I became man, I put away childish things" -1 Corinthians 13:11
And I agree with this. When I was kid, I wanted nothing more than to play with Ninja Turtles and Leggos, but now that Im grown, I wouldnt dare be caught with Leonardo in my hand!





So yes, as we mature, we shouldnt be stimulated by the same things that brought us joy when we were youths, but check this. The great Kanye West said:




"I still wont grow up, Im a grown @$$ kid" -K. West "Through The Wire"





And I also agree with this. Cause while I may not pit the Heroes in a half shell versus The maniacal (sp?) Foot Clan anymore, I still play videogames religiously, still watch cartoons (Phineas and Ferb are BEASTS!!!!), and I have a burgeoning comic book collection as we speak....



So the question of the day issssssss, how exactly does this maturity thing work? Does growing up mean that you cast all things that you once enjoyed to the side? Do you continue to do things that you used to enjoy even if society scoffs? And most importantly, WHAT-DOES-THIS-HAVE-TO-DO-WITH-RAP?!!?!?




Well, I tell you, Loudy McAllCaps!

Well, its like this. I can still remember watching my older cousin (who put me on to rap) slowly moving away from listening to it. He went from listening to everything to only listening to old school to only listening to underground to only listening to R&B. Now, imagine me watching the person who put me in the game disown the very thing that he made me love! Crazy...

now, flash forward a few years and i find myself not listening to much of what the new emcees are putting out. My ipod is full of the stuff I grew up listening to, and now I find myself only listening to underground cats (Skyzoo's nice, btw).....



Skyzoo "Speakers On Blast" (Produced by Illmind)
http://www.mediafire.com/?h0764e3jjm17z6g

Aight, this is getting long, part deux tommorow. In honor of the blog title, check out the song that inspired it.


Jay Electronica featuring Jay-Z and The Dream "Shiny Suite Theory"
http://www.mediafire.com/?j9byr1dn58y24t4


*There's a store completely dedicated to Leggo blocks out here, amazing


Monday, May 23, 2011

Re-launched?!?!

Re-launch?! Nigga, I aint never do the launch-launch, haha! This blog has been more of a diary than anything, which is cool, I like having a history of my growth as an artist and a man....







Annnnnnyway, random rant aside, whats good, folks? Shaz inthebuilding, taking the time to reconnect after what I can only guess has been, what, 10 months?




Alot has transpired in the past year and a half, and the long-and-short of it is this: I'm not chasing hip-hop like I used to *sad violin music*.








I know, I know, "Shazyouthebestrappereverpleasedontleaveusrapisdeadwithoutyou!". And really, I appreciate ya'll saying that, but I think Wale mighta been right when he said.....





"Bamas rap, but, they lack the passion for it" -Wale "Nike Boots (remix)"














By passion, I'm assuming he means whining like a pre-teen female whenever someone criticizes his music and also aligning himself with a group of artists who are the absolute antithesis of what he and his core audience stand for, cause yeah, I "lack" the hell outta that.......*










Nah, lol, Wales great, i love him. All jabs aside, there are basically two schools of thought when it comes to my outlook on hip-hop right now. I've either matured past it or i'm too lazy to finish what I started. Both are viable theories, but I think I'm leaning towards the former......










I aint into long bootied blogs anymore, so we'll explore that "lazy theory" in my next entry. Until then, enjoy this joint that I did with some of the best emcees in America "On The Asphalt" (I go 3rd, i think)



"On The Asphalt" featuring Rasheed Chappel, C-Logic, Shaz, and Savant















*yes, I realize that "Bama" in DMV colloquial slang for an uncouth individual, but f that, use somebody else state.....